U-turn by FWICE on Banning 'Dhurandhar' Ranveer Singh after fallout with Farhan Akhtar on Don3; confirms NO BAN!
What Rajinikanth and Kamal Haasan did not succeed at, Thalapathy Vijay did it in the very first attempt! - NewzTaag │ Entertainment │ Politics
Tamil Nadu loves its Superstars as Demi-gods, and elects them to run the State, too.
Superstar Thalapathy Vijay is the new Chief Minister candidate of Tamil Nadu, India. After the landside victory of his political party, TVK today in the assembly elections of 2026, Vijay becomes third megastar of Tamil Nadu after MGR or M.G. Ramachandran and Jayalalithaa (Amma).
Interestingly the outgoing deputy chief minister of DMK, Udayanidhi Stalin was actor villain in the first movie of Thalapathy Vijay.
#TamilNadu #TamilNaduPolls2026 #ThalapathyVijay #Vijay #TrishaKrishnan #TVK #UdayaNidhiStalin #Stalin #MGR #JJayalalithaa
When “Saamaan” Turns “Samaan” on Top-Rated Show Laughter Chefs
Bharti Singh has long been a powerhouse of humor, spontaneity, and vibrant television hosting. With her impeccable comic timing and infectious energy, she has earned a loyal audience across India. Yet, even the most seasoned performers can occasionally falter—especially when it comes to language precision.
In the popular show Laughter Chefs, where Bharti co-hosts alongside Harpal Singh Sokhi, viewers are treated to a lively blend of cooking challenges and comedy. While the entertainment quotient remains high, a recurring linguistic slip has started to stand out.
Bharti often uses the word “Samaan” instead of the correct “Saamaan.” In Hindi, saamaan (सामान) refers to ingredients, utensils, and cooking essentials—central to the very premise of the show. In contrast, samaan (समान) translates to “equal,” subtly but significantly altering the intended meaning.
What’s particularly intriguing is that this error has persisted across episodes and seasons without correction. Despite the presence of a full-fledged creative team—including writers, script supervisors, and executive producers—this minor yet noticeable slip seems to have gone unaddressed.
While it may appear trivial, such nuances matter. Language is an integral part of storytelling, especially in a format rooted in everyday culture and communication. Attention to detail not only elevates content quality but also reflects the finesse of the production as a whole. In a show as widely watched as Laughter Chefs, even small refinements can make a meaningful difference. - Prasad Rigvedy @ NewzTaag
#laughterchefs #ComedyShow #KitchenShow #TVShow #TelevisionEntertainment #Entertainment #GEC #BhartiSingh #ColorsTV #JioHotstar #NewzTaag
Even the Ai rejects Riteish Vilasrao Deshmukh in the legendary role of Chhatrapati Shivaji Maharaj in the biopic, Raja Shivaji. - NewzTaag | Entertainment
Namit Malhotra & Nitesh Tiwari Unleash Ramayana—India’s Epic Bet on the World Stage
On the auspicious occasion of Hanuman Jayanti, filmmakers Namit Malhotra and Nitesh Tiwari unveiled the first trailer of their much-anticipated magnum opus, Ramayana.
Mounted on a staggering budget reportedly around ₹4 crore, the film is being positioned as a landmark cinematic spectacle—one that aims to transcend borders. With its ambitious scale and vision, Ramayana aspires not only to captivate audiences in India but also to leave a lasting impression across global markets, including Hollywood, Japan, China, and beyond.
If the trailer is any indication, this retelling of an ancient epic is set to blend cutting-edge filmmaking with timeless storytelling—marking a bold step forward for Indian cinema on the world stage. Only fear is the movie recovers the budget and makes profits.—NewzTaag │Entertainment │ Cinema │Ramayana │DNEG
“Claiming Glory: How Much ‘Indian’ Is Enough to Count?”
Is it valid to claim the Indianness and Indian roots of a person who was born to the either or both parents who migrated to other country, and married a native foreigner, grew up as a foreigner, imbibed a non-Indian culture and then suddenly wins big? Is it a valid claim of Indianness and Indian roots for who was born in a foreign country, has nothing Indian into him or her except the surname (family name)? For example, Alexandre Singh the 2026 Oscar winning Director - Producer. He was born to a Indian-Punjabi father and a French mother. - NewzTaag │ Entertainment │ Cinema
Breaking down further, let us understand in detail -
Is it valid to claim someone as “Indian” if they were born and grew up abroad?
Short answer: It depends on what you mean by “Indian.”
i. Indian by ancestry?
Absolutely valid.
If even one parent is Indian-born, the person *does* have Indian ancestry.
That’s a factual, genealogical truth—not a cultural one.
ii. Indian by culture?
Not necessarily. If someone grows up in France, Australia, the US, or anywhere else—
absorbing that country’s language, lifestyle, values, and worldview—
then culturally, they’re shaped by that environment.
Culture is lived, not inherited.
iii. Indian by citizenship?
If they don’t hold Indian citizenship, then legally they’re not Indian. Simple.
iv. Indian by public perception?
This is where things get messy.
When someone with an Indian surname wins big—an Oscar, a Grammy, a Nobel—
suddenly everyone wants to claim them. It’s not unique to India. Every country does this.
It’s a global reflex: “If they’re successful, they are ours.”
Understanding the example of Alexandre Singh (2026 Oscar-winning Director–Producer),
- Born in Bordeaux, France
- French mother
- Indian-Punjabi father
- Grew up in French culture
- Built his career in a non-Indian ecosystem
In such a case:
- He has Indian roots → Yes
- He is culturally Indian → Not really
- He is Indian by citizenship → Likely no
- Is it valid for India to celebrate him? → Yes, but with nuance
- Is it valid to claim him as “fully Indian”? → That’s a stretch
So what’s the fair way to frame it?
A balanced, honest line would be: Oscar-winning filmmaker Alexandre Singh, who has Indian-Punjabi ancestry through his father…
Not:
❌ “Indian filmmaker Alexandre Singh”
Not:
❌ “Proud moment for India”
But,
✔ “A global talent with Indian roots”
✔ “French filmmaker of Indian-Punjabi descent”
Remember, Success has many parents—but identity has only one truth.
Alexandre Singh is French by culture, global by craft, and Indian only by ancestry.
And that’s perfectly fine. - NewzTaag │ Entertainment │ Oscars 2026
Bollywood veteran Cinematographer (Director of Photography), Producer - Director and a good soul, Gyan Ranjan Sahay breathed for the last time yesterday on 11 March 2026 in Pune, Maharashtra.
Interestingly, he was the jury when millennium star Amitabh Bachchan was conferred Dada Saheb Phalke Award by the Government of India in 2019 (the pandemic year).
Gyan Ranjan Sahay or Gyan Sahay ji was the DOP of the very popular TV series viz. Zee Antakshri, Zee Sa Re Ga Ma, Sarabhai Vs Sarabhai, Indradhanush (debut of Karan Johar) to name a few and a masterpice movie, Gandhi by Richard Attenborough. - NewzTaag | Entertainment
Late Gyan Sahay
“Bas Karo Bollywood: India–Pak War Stories Are Now an Overdose” - NewzTaag / Entertainment
Enough of India–Pakistan war dramas already. It’s becoming an overdose. Gadar 2, Dhurandhar, Ikkis, Border 2—and the list goes on.
With all due respect to our martyrs, it has to be said: bas karo. We’re honestly bored of seeing the same India–Pakistan conflict recycled again and again.
The stories are predictable—war breaks out, emotions are milked, and someone becomes a martyr. Please don’t turn the sacrifice of our soldiers into a commercial potboiler. Itna farce mat karo ki jawaano ki shahaadat mazaak ban jaaye. We say, “Respect the Sacrifice, Not the Box Office.” - NewzTaag | Entertainment
Akshay Kumar Returns to TV Screen with Wheel of Fortune on Sony TV + Sony LIV
Wheel of Fortune, touted as the world’s No. 1 game show, finally made its much-anticipated debut for Indian audiences on 27 January 2026, airing on Sony Television and streaming on the Sony LIV app. Hosted by the ever-charismatic “Khiladi” Akshay Kumar, the show has already struck a chord with viewers across the country within just two days of its launch.
Blending the thrill of a quiz with the excitement of a high-stakes game show, Wheel of Fortune India features a lively mix of celebrity guests and everyday contestants, each spinning their luck for jaw-dropping rewards. The excitement reached a new high on Day Two, when Shipra Singh, a young professor of English, stole the spotlight by winning a Maruti Suzuki Victoris SUV in just the second episode—a moment that instantly went viral and added to the show’s growing buzz.
Produced in India by the popular Frames Production, led by Hemant Ruprell and Ranjeet Thakur, the Indian adaptation stays true to the globally loved format while weaving in a distinctly desi flavour. The show is presented under licence by Culver Max Entertainment Private Limited (formerly Sony Pictures Networks India Private Limited), and early audience response suggests it is well on its way to becoming a prime-time favourite. With star power, smart gameplay, and life-changing wins, Wheel of Fortune is already spinning success stories on Indian television. - NewzTaag | Entertainment #WheelOfFortune #TVGameShow
Akshay Kumar
Image by NewzTaag Creative Team, 2026
Krantijyoti Vidyalay - Marathi Madhyam
The film is set in Krantijyoti Vidyalay, a Marathi-medium school in Alibaug, located in Maharashtra’s Raigad district. Once a thriving institution, the school now stands on the verge of closure, challenged by dwindling enrolment and a growing societal shift toward English-medium education. When former students and teachers come together to save their alma mater, they reconnect with shared memories, lasting friendships, and the cultural values that shaped their formative years. The narrative blends nostalgia with a sense of urgency, using personal stories to highlight a broader and timely reflection on the need to preserve regional-language education in an ever-evolving society.
Brought to life by a powerful ensemble cast—including Sachin Khedekar, Kshitee Jog, Anant Jog, Jitendra Joshi, Siddharth Chandekar, Amey Wagh, Kadambari Kadam, Prajakta Koli, Pushkaraj Chirputkar, and Harish Dhudade—the film gains emotional depth through subtle, heartfelt performances. Under the direction of the successful producer-director duo Kshitee Jog and Hemant Dhome, it strikes a fine balance between warmth and social relevance, ultimately standing as a moving tribute to education, identity, and the quiet resilience of community. For the readers, this is the sixth film directed by the very versatile Hemanth Dhome which is appreciated equally by the Critics and Marathi movie-goers. - NewzTaag | Entertainment - Movies
Why Villains and Vamps Are More Memorable Than Hero-Heroines in Indian Cinema?
Indian audiences often remember villains more vividly because they carry conflict, complexity, and emotional depth. Modern actors like Akshaye Khanna represent a shift toward intelligent, quiet antagonists, proving that menace doesn’t need volume. These characters represent a new kind of antagonist—quiet, intelligent, and far more unsettling than brute force.
Villains in Indian cinema often leave a stronger impression than heroes, thanks to their layered personalities, intense conflicts, and lasting impact.
For example, Akshaye Khanna in -
-
Deewangi (2002) – Tarang Bharadwaj : a chilling, soft-spoken obsessive antagonist driven by ego and entitlement
-
Chhaava (2024) – Aurangzeb : a strategic historical adversary marked by restraint and authority
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Dhurandhar (2025 )– Rehman Dakait / Rehman Baloch/ Sher - E - Baloch : a cerebral, morally grey role highlighting manipulation and control - NewzTaag | Entertainment - Movies